With this morning’s Academy Awards nominations announcement, Selma joined an unusual rank of film: the Best Picture nominee that only received one other nomination.
Just how unusual is this status? Of the 520 films nominated for Best Picture1 since the Oscars’ inception, a mere 16 (including Selma) of them racked up just two nominations total. Stranger still, that’s less than the 17 which landed the top nod as their only nomination.
Of those 23 films, 15 came from the Academy Awards’ first decade, when the odd-nominee-out was more common. That leaves just eight Best Picture nominees since 1939 to land no more than two nominations total. An unusual rank, indeed.
The single-hitters are:
The Racket (1927/28)
Hollywood Revue (1928/29)
East Lynne (1930/31)
Trader Horn (1930/31)
Five Star Final (1931/32)
Grand Hotel2 (1931/32)
One Hour with You (1931/32)
The Smiling Lieutenant (1931/32)
She Done Him Wrong (1932/33)
Smilin’ Through (1932/33)
Here Comes the Navy (1934)
The House of Rothschild (1934)
Ruggles of Red Gap (1935)
Libeled Lady (1936)
Grand Illusion (1938)
One Foot in Heaven (1941)
The Ox-Bow Incident (1943)
And here are the films that scored the two-fer; also listed is the other category in each film was nominated:
Wings3 (1927/28) (Engineering Effects)
42nd Street (1932/33) (Sound Recording)
The Private Life of Henry VIII (1932/33) (Actor)
State Fair (1932/33) (Writing [Adaptation])
The Barretts of Wimpole Street (1934) (Actress)
Flirtation Walk (1934) (Sound Recording)
The White Parade (1934) (Sound Recording)
Alice Adams (1935) (Actress)
Naughty Marietta (1935) (Sound Recording)
A Tale of Two Cities (1936) (Film Editing)
Decision Before Dawn (1951) (Film Editing)
Four Weddings and a Funeral (1994) (Writing [Screenplay Written Directly for the Screen])
The Blind Side (2009) (Actress in a Leading Role)
A Serious Man (2009) (Writing [Original Screenplay])
Extremely Loud & Incredibly Close (2011) (Actor in a Supporting Role)
Selma (2014) (Music [Original Song])
I’m not sure if In Which We Serve (1943) counts here. While it was nominated only for Picture and Writing (Original Screenplay), it was also given a Special Award the year prior (“To Noel Coward for his outstanding production achievement in In Which We Serve”) thanks to a quirky rule regarding foreign releases being eligible in multiple years.
1For you sticklers who include titles vying for the inaugural year’s Unique and Artistic Picture category (the only year such a category existed) among the roster of Best Picture nominees, here’s how those three films played out: The winner, Sunrise, earned four total nominations; The Crowd earned two nods, including Directing (Dramatic Picture); and Chang found this as its sole nomination.
copyright 2015 David Cornelius all rights reserved